POV: Apple MacBook Air

Well, Apple's announcement that it added two MacBook Air laptops is immensely welcome as it provides an embarrassment of choices to its ever expanding fan base.

I am especially excited by the 11-inch MacBook Air, which measures 11.8 inches by 7.56 inches, and weighs only 2.3 lbs. The 64gb flash memory model starts at $999 and would be ideal as a travel laptop for photographers. Couple it with an external hard drive of whatever storage capacity works for you, and you've got a winner.

And it's $300 more expensive than the iPad (the one sans WiFi)....that's really intelligent pricing.

I guess it isn't really a netbook..or is it? Although Steve Jobs assertion they wouldn't do netbooks, I do think this is a posh netbook...and what I do know for sure is that I'll have to hide my credit cards before Xmas.

Damn!!!

POV: iPad Re-examined

Photo © Tewfic El-Sawy -All Rights Reserved
Well, I've played with it for about a week now and I still am of the opinion that the iPad is a more of a wonderful display-toy-gadget rather than a useful tool. And I think this is exactly what Apple intends it to be. I also read that new features are being worked on to include Apple’s Facetime video chat capability.

I also have seen articles predicting that most portable computer devices in the coming few years will have touch-screens and if so, the iPad was certainly the precursor.

I currently use it to peruse news websites, play time-wasting games (mostly sniper games), and that's it. The only photography-related app I think is really fantastic is the one by The Guardian called The Guardian Eyewitness app for iPad. I have yet to see another as good. If anyone knows of similar apps, please let me know.

The good news is that SoundSlides (my favorite audio-slideshow making software) now has a beta version of program which is iPad-compatible (it auto detects iPads, and using this version allowed me to view my audio-slideshows on the iPad.

Some of my audio slideshows have also been uploaded to my Vimeo page, and I can watch these on the iPad as well. The resolution is not as great as the Soundslides though.

Bottom line: the iPad is cool.

The above images is on the opening frame of my new (and still unreleased) slideshow of Balinese cockfights.

Fujifilm's FinePix X100: Digital "Rangefinder"

These are breaking news from Photokina...Fujifilm launched the FinePix X100, a 12.3-megapixel camera styled in a 1950s metal-and-leather body. It features and APS-C sized CMOS sensor and a fixed-in-place but bright and fast 23mm f2 prime lens. It also boasts an ISO range of 200 to 6400, and 5fps continuous shooting.

According to Engadget, this camera will interest many to-be DSLR buyers provided it's intelligently priced. Absolutely, and I would think it would also interest existing DSLR users who lust after a more compact camera.

The Luminous Landscape reports from Photokina that it may cost approximately US $1,700 when it becomes available early in 2011.

UPDATE (Sept 21): Fujifilm confirmed that it will retail for about $1000 and be available in March (via BJP's 1854 blog).

Reuters Does Big: Full Focus

Photo © REUTERS/Carlos Barria -All Rights Reserved
Reuters has joined the other news media in featuring large photographs on a blog.

Full Focus, a large format showcase of Reuters award-winning photography, tells global stories. The agency seeks to use this imagery to foster a deeper understanding of current events and social issues, and Full Focus provides an opportunity for its readers/viewers to offer perspectives on the photographs and the topics they address.

The lovely photograph by Carlos Barria and is part of the Haiti Revisited photo essay, and is of expecting women waiting for tent distribution near the presidential palace in Port-au-Prince on February 19, 2010 during the aftermath of the earthquake.

I ought to add separate links (to the right of this page) for all the large-sized photo blogs of major news media...Boston Globe's The Big Picture, Sacbee's The Frame, WSJ Photo Journal, The LA Time's Framework, etc.

Udaan School of Photography

Dhiraj Singh and Arko Datta have just announced the launching of Udaan, an independent photography school in Mumbai.

Udaan's students will be tutored by leading working professionals such as Singh, Datta, Ritam Banerjee and Yogesh Bhandary. The courses in Udaan have been designed to meet the needs of photography-enthusiasts at different levels of learning and expertise. The school will cater to both photojournalists and commercial photographers, and will encourage and cultivate individualistic thinking and a creative vision.

Award winning independent photographer Dhiraj Singh has focused on human stories evolving in India and regularly works for Polaris and his photographs have been published in various international publications.

Pulitzer award nominee and winner of the 'Picture of the Year' at the World Press Photo 2004, Arko Datta has extensively covered news and sports across the world for the last two decades, which includes wars in Iraq and Afghanistan.

Udaan School of Photography

Dhiraj Singh and Arko Datta have just announced the launching of Udaan, an independent photography school in Mumbai.

Udaan's students will be tutored by leading working professionals such as Singh, Datta, Ritam Banerjee and Yogesh Bhandary. The courses in Udaan have been designed to meet the needs of photography-enthusiasts at different levels of learning and expertise. The school will cater to both photojournalists and commercial photographers, and will encourage and cultivate individualistic thinking and a creative vision.

Award winning independent photographer Dhiraj Singh has focused on human stories evolving in India and regularly works for Polaris and his photographs have been published in various international publications.

Pulitzer award nominee and winner of the 'Picture of the Year' at the World Press Photo 2004, Arko Datta has extensively covered news and sports across the world for the last two decades, which includes wars in Iraq and Afghanistan.

Light & Composition Magazine

I'm always on the lookout for new and innovative venues in which photographers (and especially travel photographers) can feature their work, and Light & Composition Magazine appeared on my radar screen via The Raw File Blog's Twitter's Feed.

Light and Composition defines itself as a monthly photography magazine that aims to inspire people towards the true essence of photography, and attempts to take us around the world, to its people, nature, and culture, in pursuit of value and authenticity.

It also featured Around The World in 29 Days, which allowed it to showcase photos from around the world, through the lenses of twenty photographers. From northern Spain to the Bay of Bengal in Bangladesh, from villages in Thailand to the USA, and from the Middle East to the far west.

Via RawFile

Light & Composition Magazine

I'm always on the lookout for new and innovative venues in which photographers (and especially travel photographers) can feature their work, and Light & Composition Magazine appeared on my radar screen via The Raw File Blog's Twitter's Feed.

Light and Composition defines itself as a monthly photography magazine that aims to inspire people towards the true essence of photography, and attempts to take us around the world, to its people, nature, and culture, in pursuit of value and authenticity.

It also featured Around The World in 29 Days, which allowed it to showcase photos from around the world, through the lenses of twenty photographers. From northern Spain to the Bay of Bengal in Bangladesh, from villages in Thailand to the USA, and from the Middle East to the far west.

Via RawFile

New Banner!!!

This is an expression of unbridled gratitude to the half-baker's dozen who dismissed my posts as rants and "pontifications". As promised, I've changed the banner of this blog to include this lovely descriptive word, which suits my blog and posts just perfectly.

I regret not having thought of it first, but a banker-turned-photographer is not necessarily a wordsmith.

HabbyCam DSLR Shoulder-Mount

This shoulder mount might be useful to those who use DSLRs for movie making. It's called the HabbyCam (don't ask me why) and it's reasonably priced at $250.

It's essentially a brace, is made of aluminum and stainless steel, and weighs only 3 lbs. The shoulder bracket is drilled with holes that can accommodate other accessories such as sound recorders and the like.

I don't have it so can't recommend it, but it certainly looks as if it could work well. I'm guess some enterprising person will eventually cobble one from hardware found cheaply at Home Depot etc.

Found via WIRED's Gadget Lab.

POV: iPad

Photo Courtesy WIRED-All Rights Reserved
I'm far from being a geek or remotely resembling one, but I still like gadgets provided they're useful and have a purpose...which brings me to the iPad.

Unless you're traveling in North Korea, you must've heard that Apple is launching its iPad in its stores this coming Saturday. I live not too far from its 14th Street store and I intend to walk by just to see the gawking crowds.

The New York Times' David Pogue has an interesting article (and well-balanced) titled Looking At The iPad From Two Angles which I found to be the most intelligent of whatever has been recently written about the device. He concludes the article with this:

"The bottom line is that the iPad has been designed and built by a bunch of perfectionists. If you like the concept, you’ll love the machine. The only question is: Do you like the concept? "

And that's the question. The iPad is really a "looker" not a "doer"...in other words, like its midget cousin the iTouch, it'll be mainly used as a reader, as a viewer of text, of website (minus Flash), of emails, of pictures, and so forth. Its success or failure is also dependent on the available applications, current and future, which I understand are close to 1500 in number already.

So far, I haven't seen any merits for photographers to get one. I read somewhere that an enterprising photographer will buy a few and, when asked for his portfolios, will send them out to his best clients instead of the old-style books. I'm quite certain that the iPad will be great in impressively displaying our images, but that's all.

Will it be fun to have an iPad? Of course, but will it be useful? I don't know. I'll wait and decide in another 6 months. Let others be the testers.

WIRED has a roundup on the first reviews of the iPad.

Apple iPad & Photography

Apple announced its newest creation, the iPad, while I was in the Kutch area in Gujarat, and had no reliable internet access so I'm still pretty much out of the loop in as far as its technical specifications are concerned...but that won't stop me from expressing my knee-jerk opinion on it from what I already know.

I gather from a couple of opinions written about the iPad that the jury (from a photography standpoint) is still out. Some say that it will "save" photojournalism and newspapers, while others are more low-key and only say it will provide a new platform to display one's photographs.

I view it as the latter...a magnified iTouch. No more and no less. I initially got very excited, hoping that it could replace netbooks, but it doesn't. From what I seen, it will not enable photographers to use it as a conduit device to download contents of CF/SD cards unto external hard drives. As a portfolio display device, it will do beautifully though. I use the tiny iTouch to do just that, and must say that it's useful in some occasions. The iPad will do the same in large format, and I expect it will be dazzling.

The absence of Flash is disappointing but expected. It's a pity but I imagine that it will not be hard for photographers to convert their Flash-based multimedia photo essays to QuickTime...or some other application...and show them off that way. As for enjoying photo Flash websites, this device will not do it you.

It's been said that Apple has indeed brought us the iPad, but its success or failure will depend on the app developers. Let's wait and see...we'll know soon enough.

Unearthing Asia Magazine

Unearthing Asia bills itself as a travel 'zine focusing on culture, lifestyle and attractions all around Asia.

It was started by Nikolas Tjhin and Michelle Lee, whose initial idea was to publish a travel related real-life publication, but as the costs were prohibitive, decided to publish it online. It's available online and downloadable in PF format.

If my understanding is correct, it can also be found in paper form in South East Asia.

It may be an interesting addition to travel photographers who seek new venues for their photographs.

fotoflōt: Innovative & Cool

I recently received one of my photographs that had been fotoflōt'ed, which means it had been printed on quality photographic paper and then fused on to a 1/8" thick acrylic sheet (10"x15" size).

I chose one of my Theyyam photographs to be fotoflōt'ed, and I'm very pleased by its frameless design, and by the protection it provides to the photograph. The acrylic has low reflection and low glare, and it's a cinch to hang on my walls because of its magnetic wall mounts.

Via fotoflōt's website, I created an account and uploaded (directly from my hard drive...about a 5 minutes wait because of its size) a TIFF version of the Theyyam photograph, and it was totally hassle-free from there on. Within a couple of hours, I received an email from the company saying that my photograph was being processed, and would arrive to my address within two weeks.

Less than 8 days later, I received another email from the company informing me that my fotoflōt frame had been shipped and I would receive it in a couple of days.

I received it as promised, and I ought to add that I really impressed by the packaging, which protected my fotoflōt'ed photograph very well.

An innovative and aesthetically attractive alternative to old-fashioned picture frames. Well recommended.

A Wonderful Concept: PhotoPhilanthropy

PhotoPhilanthropy's stated mission is to promote, support and connect photographers to non-profit organizations around the world. It has created a community for photographers, photo enthusiasts and non-profit organizations to network, to tell their stories, show their work, exchange ideas, find opportunities and financial support for their efforts.

It also encourages student, amateur and professional photographers to publish photo essays designed to educate and engage people in a wide variety of social campaigns.

Interestingly, it has also created The PhotoPhilanthropy Activist Award; an annual endorsement of excellence for professional, amateurs, and student photographers.

For the award, it received 219 essays from 187 photographers residing in over 30 different countries. Of these entries, 150 were from professionals, 49 from amateurs and 20 from students.

The 2009 Grand Prize winner was photographer Zoriah Miller on behalf of the International Rescue Committee.

LumaLoop: Yet Another Camera Strap

After BlackRapid's success, another strap contender LumaLoop is entering the fray hoping that it can also provide an improved camera strap, one of photography's perennial Holy Grails.

James Duncan Davidson (a photographer) designed and made the LumaLoop, an across-the-shoulder strap with a quick-release lanyard, whose main claims are comfort and flexibility.

Those who have already used the strap report they like how the camera can be used while slung over a shoulder, and can quickly be released by squeezing the buckle. When not in use, the camera dangles at one's waist, and can remain there all day long.

The LumaLoop is $60 and comes in three sizes. Each strap comes with a lanyard.

From what I've seen on its website, LumaLoop uses the same general idea for an across the chest bandolier strap as BlackRapid, with the twist of having a quick release lanyard-to-buckle instead of a carabiner.

Here's a previous post as to how I "readjusted" my BlackRapid straps to avoid any unforeseen accidents.

LumaLoop first seen on The Click.

Pictory: Innovative Concept?

Pictory is a photo magazine, and claims to be re-imagined for the web. Photojojo describes Pictorymag as one part Boston.com’s Big Picture, one part This American Life, and one part Laura Brunow Miner.

I didn't know who Laura was but I found out she had been the Editor-in-Chief of JPG Magazine, and Pictory is her brainchild.

Pictory's premise is a simple one: it's a showcase for people around the world to document their lives and cultures, and anyone can submit a picture and a story. The best are featured in large sized photo essays.

Is it a commercially viable project? Time will tell.

The Black Snapper

As my readers know, one of The Travel Photographer blog's objectives is to assist emerging photographers in getting better known, and contribute in introducing their work to a wider audience.

Many other blogs and web magazines do this as well. Burn, 100Eyes, Verve Photo and others are showcasing the work of emerging and creative photographers extremely well, and have done much to introduce new talent into the limelight.

A newly formed web magazine The Black Snapper has joined in this commendable task on August 1st 2009. The Black Snapper daily presents a photographer selected by one of its guest curators, and the expectation is to present a new series of 8-20 photos each day.

According to its About blurb:

The Black Snapper aims to create an online community that will inspire professionals and photography lovers worldwide and expose new talent. In addition, the online magazine emphatically supports the emancipation and promotion of photographers from Asia, Africa and South America.

Coincidentally with the latest features on both 100Eyes and Verve, The Black Snapper has been showcasing the work of Bangladeshi photographers for 6 days already. Today's feature is called The Pavement Dwellers Amrao Manush; a Bangla phrase that means “We are humans too”. The featured photo essay is by Shehab Uddin.

I will add The Black Snapper to TTP's blogroll. I imagine you'll bookmark it as well.

AFAR Magazine

Candace Feit emailed me saying that her photograph made in the Moroccan Atlas mountains was published as the cover of the premiere issue of AFAR magazine.

Coincidentally, The New York Times (and other newspapers) published articles announcing AFAR's "birth", hailing the courage of the two entrepreneurs who started the venture in the current economic climate, despite their lack of experience.

The founders, Greg Sullivan and Joe Diaz, describe their magazine (based out of San Francisco) as having an emphasis on "experiential travel". While the magazine will carry conventional travel features, it will stay away from articles on luxury hotels and designer golf courses.

AFAR is scheduled to be published six times of year, with a newsstand price of $4.99.

GAIA Photos

Gaia Photos is a platform and an opportunity for photographers to showcase their work to a broad audience, and it seeks to be a place to explore and discover the issues facing the diverse population and locations of the world. It also seeks to be where professional photo buyers will find international, in-depth, quality reporting from a vast pool of professional photojournalists who can also be contacted directly for commissioned work.

One of its declared objectives is to promote quality and diversity in documentary photography, especially in a time of dwindling editorial budgets.

Some of the photographers working with Gaia are Lisa Hogben, GMB Akash, M. Scott Brauer, Brent Foster, Alex Espinosa, Alex Masi and many others. Unfortunately, I haven't seen Middle Eastern (Arab) or African photographers on the list, and hope that this anomaly will be soon redressed.